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Defending and defining objectivity

Academic Papers, Writing, , , ,

A response to Mass Media and Society (James Curran and Michael Gurevitch), Chapter 11

In “In Defense of Objectivity Revisited,” Judith Lichtenberg argues that most critics of objectivity are actually criticizing the concepts associated with objectivity or specific practices which are thought to be objective and therefore we cannot abandon objectivity completely.

Lichtenberg points out that critiques of objectivity often take three forms: saying journalism is not objection, should not be objective, and can not be objective.  Though many critics try to make more than one case at a time, they are logically inconsistent.  If objectivity is impossible, why complain that journalists are objective?  When a piece of reporting is accused of being not objective, we have ways to gauge it (by reading Iraqi news during the Gulf War or pointing out over-reliance on military sources, for example).

She makes the point that critics who say a journalist’s social situation dictates certain biases cannot also say there’s no way to get around those biases or analyze them-that is, after all, what the critic is doing.  It makes no sense to call something biased unless there is some sort of humanly-accessible objective reality to compare it to.  Also, different cultures are often able to find common ground.  None of this is to say that journalists don’t write horribly distorted, biased stories, but Lichtenberg suggests if we can recognize the problems there must be ways of making them better.

Lichtenberg says that objectivity does not mean there are right answers for all questions, but that there are right answers for some questions and wrong answers for all questions.  The answer to “is the moon made of green cheese?” is clearly no, and it’s not a theory (in this day and age) or socially constructed.  It allows for different interpretations, but all interpretations must agree on that fact at least.

I agree with Lichtenberg in that there is some sort of objective reality we can reach, at least for some matters.  You can’t breath water, and no matter what culture you’re from, if you try, you die.  I also think there’s a sliding scale of possible objectivity.  Some things can have objective truth and do, such as the water example.  Other things have an objective answer but it is not known and is therefore open to speculation.  And some things have no objective answer, like value and opinion judgements.

This all makes sense, and if you define objectivity the way Lichtenberg does I will happily pursue it when applicable.  If you include some of the notions she does not, however, like neutrality, then it’s a stickier question.

The ethics of objectivity

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In their article, William Rowley and William Grimes argue that objectivity can be redefined to become a valid objective for journalists, while Theodore Glasser argues that objectivity-even an amended notion of it-is just a way for journalists to cover their butts and not serve the public.

Rowley and Grimes acknowledge the historical roots and problems with objectivity as a goal, but feel they can figure out a new, better interpretation of the term that journalists should strive for.  They describe three sub-principles that add up to a whole ideal.  The first, factual objectivity, is a matter of getting all the facts straight and putting them in a logical and understandable order.  Next is dramatic or aesthetic objectivity, which is a matter of story telling and attempting to include the emotional flavor of an event or experience.  The third is moral or ethical objectivity, which involves both reporting the larger, moral implications of a story and attempting to identify the reporter’s biases and not let them color the reporting.  The authors describe several very different stories all of which, they believe, came close to this new idea of objectivity, including Tom Wicker’s coverage of the Attica prison riot, the AP story about integration in Little Rock, Arkansas, Ernie Pyle’s World War II coverage and the Watergate story.

Glasser, on the other hand, traces objectivity as little more than an efficient way to do news that takes away the journalist’s responsibility for his or her work.  By only including the facts and taking him or herself out of the story, a journalist doesn’t have to be responsible, he says, and brings up Edwards v. National Audubon Society where the New York Times argued it should print an accusation even if it could be false-they were reporting the accusation, not making it.  Another problem cited is the tendency to accept official sources and he status quo.  Also, Glasser says objectivity robs reporters of creativity and analysis.

I’m not sure I really understand Rowley and Grimes’ three-section definition for objectivity.  Perhaps if they just used a different term, like “truthfulness,” it would make more sense to talk about being objective in reporting emotion.  Even for a totally subjective piece, like an opinion column or book, writing about other people’s emotional states is walking in a land mine-you don’t really know how they feel, after all.  It’s easy to talk about obvious cases, like saying soldiers in World War II were tired, or that a crowd is howling and shrieking.  But what about the emotional state of a serial killer?  It’s an important issue that people no doubt want to know about, but how can you be emotionally objective in any sense when the accused may be innocent, raging inside, completely cold-blooded or clinically insane?  Any of those could be ready from an impassive face in a courtroom.

I’m not saying we should not report emotional or ethical issues.  But I still think it’s important to separate what is undeniable fact (the man is accused of murder) from what someone has said (the prosecutor thinks he did it, his mother doesn’t) from what may be pure speculation (his calm demeanor seemed to be reptilian and cold-blooded).  I recognize many of Glasser’s arguments, but I’m still not convinced we should throw those distinctions out when writing.

Is news a construction created by journalists or a reflection of reality?

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In “Is News a Reflection or a Construction,” the author writes that news is most decidedly a construction created by journalists and not a reflection of reality.

This is a pretty easy argument to follow.  For one thing, there’s news selection.  The author points out that only a sliver of everyday events are covered, so journalists have already abandoned reflection via selection.  Journalists also decide the focus and how the story is told.  The author goes on to list some influences and constraints on the construction process.  Commercialism, which is the first and possibly strongest influence, is a result of market competition between news organizations.  This can cause journalists to abandon professional ideals and seek the story or angle that will grab attention or shock and avoid controversy that might alienate customers.  Other influences listed in the article include story formulas, like the inverted pyramid, which tends to make news coverage similar; resource constraints which may not allow journalists to cover everything they’d like to, organizational forces like ownership patterns which may influence a paper’s ideology or profit-motive; advertisers, who may try to buy off stories critical to them; source use, for example quoting one expert over another; the interest in covering deviance, and sometimes limited geographical focus.  The author argues that although this all has the advantage of simplifying the daunting task of selecting, writing, and editing the news, it also narrows the scope on what is news and how thoroughly things should be covered.

It’s hard not to agree with the author.  Of course reporters and editors construct the news; it wouldn’t take all day to produce a newspaper if they didn’t.  The closest thing to reflection a newspaper does is photography, and even that is construction if you accept selection as a creative act (and photographers do).  The influences the author brings up are valid too, though I think general cultural influences like race, gender and class need to be added to the list.  But what’s the point in just running down a list of influences and proving news is not a reflection?  The does not seem to say this is all good or bad, per se.  Just saying journalism isn’t a magically perfect mirror to all of life and reality in the universe at any given moment is like shooting fish in a barrel.